Cross stitch font for Photoshop. Text effect of hand embroidery in Photoshop. Step-by-step instructions

Every time I sit down at the computer and open an embroidery program, I sigh and lament to myself: “for what sins was I deprived of my artistic gift and why can’t I pull myself together to correct this situation?” After grieving a little, I once again open Yandex and type “Plugins and programs that convert a photo into a drawing”…

How many different plugins and programs were on my computer! Can't count. Everything about them was wonderful, but there was no spark of God. This time Yandex had mercy on me by giving me information about a plugin for Photoshop (there is also a separate program) Akvis Sketch, which converts a photo into an image with high quality (I agree, the definition is very subjective), but most importantly, the result obtained is 100% suitable for our embroidery work.

APPLICATION IN PE-DESIGN and EMBIRD

The embroidery programs Pe-Design and Embird do an excellent job of creating machine embroidery designs from photographs, despite this, almost everyone who creates designs using the photo stitch technique turns their attention to the photoshop program. So if we turn to third-party editors anyway, then why not use another option?

There is no question here about which method is better or worse. Because by translating an image pre-processed with the Akvis Sketch plugin, we will get a completely different result.

In the photo below you see: 1st row: option for processing a color photo, 2nd row: option for processing a color image with the akvis plugin applied, and 3rd row: option for processing a black and white image with the akvis sketch plugin applied to it

HAND DRAWING
This is the main feature of the plugin that caught my attention. As I said above, artistic knowledge is somewhere beyond my understanding and the only thing I can rely on is the original drawing. It’s quite difficult for me to create an imitation of hand stitches from a photograph, but when working with an image that contains ready-made pencil or charcoal strokes, it seems more real. In addition, it is possible to initially adjust the image detail (color range, number of strokes, etc.)

I am sure that you are interested in the plugin and its capabilities, if you have any questions, come to the forum for discussion and solutions.

Hi all! In this tutorial you'll learn how to create a cute hand embroidered style text effect using different fabric textures in Photoshop.

Final image:

Let's begin! For the background we use a denim texture from materials for the lesson.

Adjust the color balance by adding a Color Balance adjustment layer (Color Balance), settings for midtones: - 25, 0, +15.

Now place the rough fabric texture into the document, taking it from the materials for the lesson. Using Free Transformation (Ctrl+T) rotate the texture diagonally.

Make an oval selection using the Oval Marquee Tool (Elliptical Marquee) (M), then invert the selection and delete the excess.

Now add a Hue/Saturation adjustment layer (Hue/Saturation) to decolorize the texture and increase its brightness. Settings Color Tone: 0; Saturation: - 60; Brightness: + 60. To ensure that the adjustment layer does not affect the entire document, add a clipping mask.

Double-click the rough cloth texture layer to open the Layer Styles window (Layer Style). Apply Shadow First (Drop Shadow) using the settings below (shade color dark gray #4c4646) layer blending mode multiply (Multiply).

Then add an Emboss style (Bevel and Emboss) using the options shown below and click OK.

Now duplicate this layer and scale it up. Place the duplicate layer below the original. Apply a Shadow layer style (Drop Shadow) with settings shown below (shadow should be dark blue #283955).

And the layer style is Emboss (Bevel and Emboss)

And layer style Color Overlay (Color Overlay).

The result should look like this.

Paint along the edge of the oval area of ​​the background with a black Brush. (Brush) (B) while in the layer mask, making uneven strokes from the edge.

Now let's add thread stitches. Create a new layer above all layers (Ctrl+Shift+N) and create a white oval, smaller than the topmost oval texture, using the Ellipse tool (Ellipse) (U). We will need this layer as a pattern for applying stitches.

Create a new layer above all layers (Ctrl+Shift+N). Take the Brush tool (Brush) (B) size 30 px with color #733b2c and draw stitches in a circle using the edge of the oval as a guide.

And the layer style is Emboss (Bevel and Emboss) with the settings shown below.

Now you can remove the white oval layer.

Your text should now look like the example below.

We will also add a carpet texture to this text, downloading it from the lesson materials. Place the carpet texture above the text layer and desaturate it (Shift+Ctrl+U).

Next, go to the layer with the text and click on the layer thumbnail in the layers palette while holding down the Ctrl key. Now go back to the desaturated carpet texture layer and add a clipping mask to the layer. Change the layer's blending mode to Multiply (Multiply) with opacity up to 60%.

Now duplicate the text layer. Change the text color to #f5abcc.

Rasterize the text layer so we can change it later.
Now we will use this technique in our work. Using the Rectangular Marquee Tool (Rectangular Marquee) (M) make a selection of each letter, move the letter, then go to Select> Modify> Compress.

Set the compression level to 12 px.

And return the letter to its original place, placing it in the middle of the letter below. Name the layer something like “Smaller Letters.”

Create a new layer (Ctrl+Shift+N) and load the fur texture from the materials for the lesson into it.

Discolor fur texture (Shift+Ctrl+U) and add a Color adjustment layer to it as a clipping mask (Color) color #f5abcc. Set the layer's blending mode to Chroma (Color). Next, go to the “Smaller Letters” layer and click on the layer thumbnail in the Layers palette while holding down the Ctrl key. Now go back to the fur texture layer and add a clipping mask to the layer.

Now merge the "Smaller Letters" layer with a Color adjustment layer (Color) and apply the following layer styles.

Then add a layer mask to the layer.

In a layer mask using the Brush tool (Brush) (B) Using 30px black, go around the edges of the letters to create an uneven look.

And finally, add Filter > Blur > Gaussian Blur to the layer (Gaussian Blur) with a blur radius of up to 2.5 to soften the fur texture.

Then use the Pen tool (Pen) (P) for drawing the sting, and Line (Line) (U) to add legs.

Use two white ovals to create the wings and also use the Stroke layer style (Stroke) to add a black stroke to them.

Now you can merge the layers with the bumblebee's body, stinger, legs and wings. On a new layer (Ctrl+Shift+N) above the bumblebee's body, create an oval with the Ellipse tool (Ellipse) (U) yellow color.

Use the same fur texture as we used earlier and a Hue/Saturation adjustment layer (Hue/Saturation) to give the fur a yellowish tint.

Add a clipping mask, set the layer's blending mode to Multiply (Multiply), then merge these two layers.

Create a new layer above the bumblebee layer. (Ctrl+Shift+N) using the Brush (Brush) (B) black bumblebee with black stripes across the body, eyes and mouth.

Combine the layers with the yellow oval, fur texture and painted galaz and apply the following Layer Styles to them.

And finally, add Filter > Blur > Gaussian Blur to the layer (Gaussian Blur) with a blur radius of up to 1.5.

Now select the bumblebee body layer and add a layer mask to it. Using a gray brush, paint over the white parts of the wings, making them translucent.

Add the following layer styles to the bee body layer.

We're done with the bumblebee, now let's draw its trail. On a new layer (Ctrl+Shift+N) paint a pink ornate trail with a brush. We will use this layer as a guide when drawing the dotted trail of thread stitches.

Then create another layer above (Ctrl+Shift+N) and using the Brush (Brush) (B) Draw stitches of thread in black color.

Once you're done, you can delete the landmark layer and add the following layer styles to the stitch layer.

Finally, add a Hue/Saturation adjustment layer. (Hue/Saturation) above all layers and set the saturation value to about +25.

End result:

Here are some more examples of using different textures.

Thanks for reading!

Leave your feedback and questions in the comments below.

Good luck and happy learning!

In this Photoshop tutorial for beginners, we'll show you how to combine Photoshop filters, brushes, and vector shapes to create the effect of embroidered text or seam or stitches on denim using Photoshop. The lesson is designed for using Photoshop CS6, but I think that it can also be repeated in previous versions. The effect of stitched text on denim will be very realistic. Despite the many steps, everything is very simple and anyone who is even just starting to learn Photoshop should be able to handle it. So let's get started!

This is what we should get as a result when our Photoshop tutorial for beginners is completed:

Step 1

Create a new document measuring 1250 x 768px.

Set the Foreground color to #83b7ca and the Background color to #22576b, then fill the canvas with the foreground color.

Next, we're going to apply some filters to create a denim texture. The same texture will be used for both the background and text. Go to Filter ⇨ Filter Gallery ⇨ Sketch ⇨ Halftone Pattern. Change the Size to 1, Contrast to 0, and select “Dot” from the Template drop-down list.

This way we created the basis for the denim texture.

Now go to Filter ⇨ Filter Gallery ⇨ Artistic ⇨ Smudge Stick. Change the Stroke Length to 2, Highlight Area to 12, and Intensity to 10.

With this we have created the main texture of the denim on which our stitched text will then be placed.

Now Go to Filter ⇨ Filter Gallery ⇨ Texture ⇨ Grain. Change Intensity to 11, Contrast to 50, and select “Regular” from the drop-down menu list.

This will add subtle noise to our denim texture and make it even more realistic.

Step 2

Duplicate the background layer, then make the resulting copy of the layer invisible by clicking on the eye icon next to it.

Let's select the “Background” layer again. Let's go to the menu Image ⇨ Adjustments ⇨ Hue/Saturation and change the Hue to 20, Saturation to -50 and Lightness to -50.

Go to Image ⇨ Adjustments ⇨ Levels and change the Shadows value to 35 to darken our texture a little more.

Step 3

Create white text (for example, the word Denim) using the Grobold font that will act as embroidered text on the denim. You can also try Arial Black or some other bold font. On the Character tab, change the text properties: set the size to 300px and the distance between letters ( Tracking ) to 75 to avoid overlap.

Note that the “D” is still too close to the “e”, which may cause unwanted edge overlap later. To fix this, place the text cursor between the letters “D” and “e”, then change the kerning value to 68.

Step 4

Make the “Background copy” layer visible by clicking on the empty box next to it and dragging it to the very top above the text layer. Then press Ctrl/Cmd and click on the text layer to create a selection.

Now let's go to Select ⇨ Modify ⇨ Expand and enter a value of 6. Large values ​​can cause our outline to merge in some parts, which is not what we want. So make sure you select the optimal value if you are using a different font.

Select the “Background copy” layer and then press Ctrl/Cmd + J. This will copy and paste the selection onto a new layer ‘Layer 1’. We don't need the “Background copy” layer for now, so we'll make it invisible.

Let's duplicate our new layer “Layer 1″, and then change the copy blending mode to Soft Light and set the layer opacity to 50%. This will enhance the colors and texture details.

Double click on the “Layer 1” layer to apply a simple Inner Shadow effect and change the Opacity to 50%, Distance to 0, and Size to 2.

This will add very fine definition to the edges and will help connect them with the brush strokes that will be added later.

Step 5

Duplicate the text layer and then make the original layer invisible. Let's move the copy on top of all layers.

Right-click on the copy of the text layer, and then select Convert to Shape. Now the text can no longer be edited.

Select any Shape Tool and look at the options bar at the top. There are several new interesting features introduced in Photoshop CS6 that will help us create stitches easily and quickly. In previous versions of Photoshop, I think that the dotted line can be reproduced by creating a brush from the dotted line.

First, to get rid of the inside of the shape, select “No Color” under the Fill icon. This value is not the same value as the layer's fill. The first will get rid of the color inside the shape but will not affect the stroke, while the others will affect both the fill color and the outline.

Step 6

Now we need to add an outline for the shape. To do this, click on the Stroke icon and select “Solid Color”. Next, click on the Color Picker icon and select the color #c0b384.

Enter 3 in the Stroke Width field, then click the Stroke Type drop-down list and select Dashed Line. To change a few more stroke settings, click the More option button at the bottom of the window.

In the Stroke window, set the Align to Inside, the Caps to Butt, and the Corners to Miter. Then change the first Dash to 2.5, and the first Gap to 1. As you may have noticed, the Dash value determines the length of the dash, and the Gap value determines the distance between the dashes.

Step 7

Double-click on the text shape layer to apply the following layer styles:

Bevel and Emboss: The stitches are a bit thinner, so change the Size to 0. Also change the Highlight Mode color to #bea85a.

Let's add Contour: use the default values.

Inner Shadow: Change Distance to 0 and Size to 1.

Gradient Overlay: Change the Blend Mode to Multiply, Opacity to 50%, and use the “Gold Rail G2” gradient from the “Tracks.grd” gradient set, then change the Style to Reflected.

Outer Glow: Change the Blend Mode to Multiply, the Color to #444425, and the Size to 0. This will enhance the shadow effect.

Drop Shadow: Change the Blend Mode to #112d37, Opacity to 80%, Distance to 0, Size to 7, and Contour to Cove Deep.

All this should add a 3D effect to our embroidered stitches on denim.

If you think the stitches are too sharp you can reduce the Opacity of the layer to around 85%.

Step 8

Press Ctrl/Cmd + click on the denim texture layer thumbnail (Layer 1 copy) to select it.

Click on the ‘Create new fill or adjustment layer’ icon at the bottom of the properties panel and select Hue/Saturation. The selection will create a mask for the adjustment layer so that it only affects the texture.

Let's change the Hue value to 10 and Saturation to -25.

Also create a selection again, click on the ‘Create new fill or adjustment layer’ icon at the bottom again and now select Levels.

Change the Shadows value to 30 to darken our texture.

Step 9

Open the Brush panel (Window ⇨ Brush) and select the “Dune Grass” brush, then change the parameters as follows:

Dual Brush: select the “Chalk 36 pixels” brush:

Step 10

Right-click on the original text layer and select Create Work Path.

Set the Foreground color to #597f91 and Background color to #081f30. Create a new layer below the two denim texture layers and name it “Stroke”.

Select the Direct Selection Tool, then right-click on the Work Path and select Stroke Path.

Select the brush from the tools drop-down menu, and make sure the Simulate Pressure box is unchecked.

This will outline the embroidered text on the denim with some frayed, frayed edges, but they will now appear thin and sparse. To make them denser, repeat the Stroke Path a couple more times.

You should now have even better and even more realistic edges for the embroidered text on your denim. Press Esc to get rid of the path outlines.

Step 11

Double click on the “Stroke” layer to apply a simple shadow, change the Color to #222222, Distance to 10, Spread to 15, and Size to 10.

The shadow will add depth to the texture.

Step 12

Create a new layer on top of all layers and name it “Dirt”, then change the Blend Mode to Darker Color. Set the Foreground color to #8c6239.

Press Ctrl + Click on the denim texture layer thumbnail (Layer 1), then Shift + Ctrl + Click on the “Stroke” layer to add it to the selection.

Use any brush from the “Rust-n-Grunge” pack to add some dirt to the text. It may not be as noticeable, but it will add a nice touch once the adjustment layer is finally added.

Step 13

While the selection is active, create a new layer on top of all layers and name it “Clouds”. Set the default text and background colors to black and white (D), then go to Filter ⇨ Render ⇨ Clouds. Go to Select ⇨ Deselect (or press Ctrl/Cmd + D) to get rid of the selection.

Change the Blend Mode of the “Clouds” layer to Overlay, and reduce its Opacity to 30%, or whatever value you like. This will add shine to the texture.

Step 14

Click the Create new fill or adjustment layer icon and select Gradient Map.

Make sure the adjustment layer is on top of all layers. Change the Blend Mode to Soft Light and Opacity to 50%. This will improve color rendition.

Click on the gradient strip and change the colors to #504d44 on the left and #aba277 on the right.

Step 15

Create a new layer between the “Clouds” and “Dirt” layers and name it Rivets. Double-click on the new layer to apply the following layer styles to it:

Bevel and Emboss: Change Gloss Contour to Half Round, Highlight Mode to Vivid Light and its Opacity to 65%, check the Anti-aliased checkbox.

Contour: Select Cone contour, and check the Anti-aliased checkbox.

Drop Shadow: Just change Distance to 0.

Set the Foreground color to #564a2e, select a 13px hard round brush, and start adding rivets to the corners of the letters.

At the end of our Photoshop tutorial, which is suitable even for beginners, we should get something like this beautiful effect of embroidered or sewn text on fabric.

Today we will teach you how to embroider using Photoshop. Step by step we will create text with an embroidery effect together.

STEP 1.

We begin work by choosing a fabric - creating a document with a certain size in which it will be convenient to work further. The screenshot shows the size 250x250.

Step #2.

We work with a new layer - on it we draw a small black rectangle using the tool Rectangle(Rectangle Tool).

Step #3.

Now we will create the texture. For this we use everything layer styles Layer - Layer Style.

The result should match what is shown in the figure.

Step #4.

To duplicate the rectangle the way we need, use the keys CTRL+J. Arrange the pieces in a checkerboard pattern to achieve the effect of weaving with drag.

Step #5.

Merging layers. And the original instrument Rectangular Marquee Tool- the so-called “rectangular selection” will allow us to select a texture area from all layers containing rectangles, as shown in the figure. We will create a seamless texture from the selected area.

Step #6.

After we have selected the texture, we will use the editing tool Edit - Define Pattern, with which this texture can be successfully edited. This is done quite simply: as soon as the tool is selected, you will need to enter the original name of the texture in the window that appears and press " OK".

Step #7.

As a matter of fact, this resulting texture will form the basis of the future fabric on which the illustration will be embroidered. Now let's create a new document whose size is 2.5 by 2.5 thousand pixels.

Step No. 8.

Now you need to take a tool with which you can not only edit, but also fill - Edit - Fill. Let's use the drop-down list, in which our texture should be at the very bottom.

Step No. 9.

Let's add saturation texture to the color using the tool Layer - Layer Style - Color Overlay, overlapping the color on the working layer.

Step #10.

It is better to make the resulting texture as a result of all manipulations more voluminous and expressive. You should start by filling the new layer with white. Then apply a filter that adds noise - Filter - Noise - Add Noise, and blur the picture using a filter Filter - Blur - Motion Blur, which “can” blur in motion. The angle should be 55 degrees with an offset of 40 pixels. Now set the layer blending mode and multiply it ( Multiply), reduce transparency ( Opacity) up to 75%.

Step #11.

Let's work with the texture further. Create a new layer using the cloud filter Filter - Render - Clouds enhances the volume effect. Mix the layer again in Multiply mode ( Multiply) and Opacity ( Opacity) in 75%.

Step No. 12.

In the layers panel, select all layers and right-click the tool Convert to Smart Object, which “can” convert into a smart object. Let’s simply rename the smart object “fabric” and save the file.

Step No. 13.

Let's create a new document again. Since we are talking about a screensaver on iPad, then permission will be required 1024x768 pixels. This means that when rotating, it will not be larger 1024 heights and 1024 widths, regardless of whether the rotation was vertical or horizontal. In order for the wallpaper to fit on the screen “any way”, you need a document 1024x1024.

Step No. 14.

To make it more convenient to work, be sure to create a new group with vertical and horizontal auxiliary lines.

Step No. 15.

Let's hide the linear group for now, and import the smart object with the texture into the working document. Transforming the texture in perspective using keys CTRL+T. We save the result.

Step No. 16.

For stitches we create another separate document. Its size should be enough for transformation in the future. In addition, the size depends on the size of the logo or text that you are going to embroider. Let's try it on a document 2200x500 px, which is shown in the figure.

Step No. 17.

We insert the desired logo or text into the document and enlarge it with the keys CTRL+T so as to fill all the space.

Step No. 18.

Creating stitches. The easiest way to do this is in the program Illustrator transition tool Blend Tool. IN Photoshop we will use the line tool Line Tool for stitching directly over a logo or text.

First we draw one line, then with the keys CTRL+J duplicate it. Now the keys CTRL+T go to transformation mode, move the copied line up a little and press ENTER. Changes accepted! We repeat the transformation - CTRL+ALT+SHIFT+T- until we get the desired strip of stitches.

We combine the layers with stitches, filling the logo completely.

Step No. 19.

We fill the rounded parts of the logo or letters with stitches.

Step No. 20.

Once the entire logo is covered with stitch lines, round off their ends. Let's add the "Shu-Median" filter ( Filter - Noise - Median), selecting radius 1.

Step No. 21.

Some stitches overlap each other. To eliminate the defect, use an eraser.

Step No. 22.

We insert the stitches into the document with the finished fabric, transforming them in perspective with the keys CTRL+T. Activating auxiliary lines will help you see what embroidery looks like horizontally and vertically.

Step No. 23.

Raise the middle of the stitches above the fabric. This will help make a plastic filter Liquify. Making the transition Filter - Liquify and straight curvature tool Forward Warp Tool lift up the embroidery.

Step No. 24.

Now let's work with brushes. First let's use 76 size - carefully run it along the middle of the stitches, lifting them. By adjusting the size of the brush we process all the stitches.

The result should match that shown in the figure.

Step No. 25.

The stitches need white, so we work with levels Levels- transition is carried out using keys CTRL+L. Adjust the sliders from below.

Step No. 26.

Duplicate the resulting layer using the keys CTRL+J, add a noise filter Noise with a quantity of 100%. And to soften the noise, use the Blur transition ( Filter - Blur - Blur More). The stitches will look rougher after this.

Step No. 27.

We merge the two layers and give the resulting layer the name “seams”.

Step No. 28.

Volume will add layer style Bevel and Emboss- embossing.

Step No. 29.

Duplicate the “seams” layer with keys CTRL+J and rename the copy, calling it “shadow”. Delete the style and correct the levels with keys CTRL+J until the shadow becomes completely black. Place this layer under the layer containing the stitches.

Step No. 30.

Apply a blur filter to the resulting layer Filter - Blur - Gaussian Blur 14 pixels, and then set the blending mode - everything as usual - Multiply and Opacity, but already by 50%.

Step No. 31.

Let's duplicate the “seams” again and replace the existing layer styles by adding a style.

The result will look like shown in the figure.

Filter - Blur - Blur ). Now set the layer's blending mode to lighten ( Screen) and opacity ( Opacity) by 35 percent.

Step No. 35.

Finish the stitches: with keys CTRL+J Duplicate the “seams” layer again. Delete styles and adjust levels ( Levels) layer using the same keys CTRL+L to get the same result in the copy as in step No. 29 - the “black shadow” effect. We also move the resulting layer under the “seams” layer and apply the Blur Filter - Gaussian Blur ( Filter - Blur - Gaussian Blur) with 18 pixels. Opacity ( Opacity) set to 71 percent, and move the layer itself slightly down, making it more noticeable. The manipulations are quite simple, and the stitches look much more realistic on the fabric.

Step No. 36.

You will also need to give the image depth. To do this, you need to combine all layers to obtain a combined copy - this is done with the keys CTRL+ALT+E.

Step No. 37.

On the resulting layer you need to use a gradient Gradient Tool in mirror mode ( Reflected). You should get a gradient fill like the one in the picture.

Step No. 38.

Using the keys CTRL+A select everything and then copy with the keys CTRL+C everything that was highlighted. Now you need to go to the channels panel to create a new channel and press the keys CTRL+V insert selection. When adding blur at shallow depth of field ( Lens Blur

The name “voluminous embroidery” speaks for itself. The main difference between the work done using this technique is that, thanks to the use of special techniques and various textured materials, an incredible effect can be achieved. The painting, made using elements of 3D embroidery, looks especially realistic and will decorate any interior.

But how is this amazing volumetric effect achieved? The secret of volumetric embroidery is to use several satin stitch embroidered elements, connected to each other or superimposed on each other in a certain way, and then secured to the fabric. Elements can be embroidered using various techniques, which makes each work truly unique.

This type of needlework is popular not only among experienced craftswomen who have sufficient experience in performing a variety of hand stitches, but also among beginning needlewomen who have only recently mastered the basic types of seams.

To make a product using this unusual technique, a wide variety of types of seams are used., which are made with cotton, silk or wool threads, and beads, seed beads and ribbons can be used as decoration. There are no restrictions when choosing a plot, except for the imagination of the needlewoman.

Below you will find step by step guide, which will be useful for needlewomen who are starting to learn the technique of volumetric embroidery.

So, if you want to master volumetric satin stitch embroidery, our master class will help you in this. First you need to make sure that you have all the necessary materials. Let's take a closer look at them.

1. Warp. The base fabric should be quite dense, with a clearly defined weave of threads, since threads of different quality and thickness can be used in the work. A good base can be linen, matting, denim, and plastic canvas.
2. Threads. The composition (cotton, silk, wool) and thickness of the threads may vary, however, you need to make sure that they do not fade, because this can ruin the finished work. If you doubt the quality of your threads, we recommend checking the dye strength before using them in your work.
3. Decorative elements. For decoration, beads, beads and rhinestones of various diameters, as well as ribbons of different widths can be used.
4. Wire. Thin wire is required to give rigidity to the satin stitch embroidered elements.
5. Pencil and patterns of details. Necessary for transferring embroidery elements to the base. You can also use disappearing or water-soluble markers. You can draw the patterns yourself, or you can use ready-made diagrams.
6. Needles. When embroidering, you will need needles with different eye diameters - suitable for embroidery with beads and beads - and different lengths (4-5 cm).
7. Scissors for needlework. The scissors should be small and quite sharp, since with their help it will be necessary to cut out the finished elements as close as possible to the border of the embroidery.
8. Frame/hoop. When embroidering elements, the fabric should be evenly stretched; for this you can use wooden or plastic hoops of different diameters, as well as tapestry frames or ku-snaps.

Main types of seams

The time has come become familiar with the main seams, used in volumetric embroidery.

1. “Needle forward” or basting stitch. It is a dotted line of stitches. The seam is made by alternately bringing the needle first to the front and then to the wrong side of the work. The stitch length is approximately 5 mm. The stitches are placed at a distance slightly less than or equal to the length of the stitch itself.
2. "Lace". It is performed similarly to the “forward needle” seam with an additional passage of the needle through each stitch.
3. “Back needle” or “backstitch”. Looks like a continuous line of stitches. To make this seam, you need to bring the needle to the front side and insert it to the right at a distance equal to the stitch size. Then we bring the needle out to the left side of the first puncture, maintaining the same distance. Subsequent stitches are made by inserting the needle where the previous stitch ends. A row of stitches will be sewn from right to left, even though they are placed in the opposite direction.
4. Stem seam. Identical slanted stitches. When making this seam, you need to point the needle point towards yourself, and place the stitches in the opposite direction. The next stitch starts from the center of the previous one. A seam may look different depending on the length of the stitch itself, as well as the degree to which it is angled.
5. Loop stitch. This stitch has many varieties and is used both for overcasting embroidered elements and for embroidering elements such as flowers or leaves. To make this seam, you need to bring the needle to the front side of the warp, form a loop of thread and pass the needle through it after making the next stitch.

There are other types of seams, many of which are based on those above. However, we recommend that novice needlewomen start working by using these particular seams, since they are easy to make, and in addition, they are quite durable and do not tighten the base. The satin stitch embroidery technique produces the most beautiful products. Having mastered the basic techniques and techniques of satin stitch embroidery, any needlewoman, regardless of experience, will be able to depict the intended plot.

Getting the job done

So, let's move on to the main part of our master class.

The work consists of several stages. First, all the necessary elements are embroidered separately, then thin wire is sewn along the contour, after which the parts are cut out and connected to each other so that a single composition is obtained. Let's look at each step in more detail.

Choose the embroidery pattern you like, make patterns for individual parts and select the necessary materials. Pay attention to the compatibility of the fabric and threads with each other. For example, it is best to embroider with cotton floss on cotton fabric, while satin can be a good basis for silk threads. Here are some simple patterns that are great for beginners.

Attach your chosen base to a hoop or frame. Attach the element pattern to the fabric with pins, trace it with a pencil or marker, then remove the pattern. Start making your first stitches with a needle-forward stitch along the line marking the boundaries of the design. Complete the embroidery element with parallel stitches of different lengths. Greater volume can be achieved by using several shades of threads in your work. By making transitions from dark to light and vice versa, you will make your work more interesting and original.

Bend the wire so that it follows the contours of the embroidered part, and sew it to the wrong side. Leave the ends of the wire a few centimeters long intertwined with each other. Sew the edges of the piece along the contour using a buttonhole stitch.

Cut out the embroidered element along the contour. Be careful not to damage the edges of the part.

If you want to decorate your work, you can trim the cut out piece with beads or seed beads. To do this, several beads are strung on a thread and a stitch is made around the outline of the embroidered part.

We perform the above actions with each element of the work. When all the parts are ready, they need to be assembled in accordance with your taste or with the scheme you chose as a sample. The parts are assembled using the ends of the wire left during the second step of the master class. You can give your elements the desired shape, which will be maintained using a wire frame and will allow you to present your work in the most favorable light.

Congratulations! Your product is ready!

The last step of our master class is come up with a suitable and original application for your work. Volumetric satin stitch embroidery is often used not only in the interior, but also as decoration elements, such as, for example, brooches that can be pinned on a scarf, hat, coat or pullover.

A few words about how to care for your product.

Remember to regularly remove dust from your work, remember that washing it is strictly prohibited. It is not recommended to expose the product to long-term sunlight.

Create and bring to life your wildest ideas and fantasies with the help of a wonderful and unusual technique of volumetric satin stitch embroidery!

Master class on 3D embroidery for beginners

Volumetric embroidery combines several embroidery technologies. Smooth stitch, beads, and ribbons are used here. It consists of using embroidered cut-out pieces that are applied and secured to embroidered or plain base fabric. Due to this, a volumetric effect is created. Depending on what types of embroidery the needlewoman knows, they can all be combined in volumetric embroidery. And the more the master knows, the more interesting the work will look. Therefore, for those who are starting it for the first time, it is important to master at least one, and preferably 2-3 types of sewing on fabric. We offer you a master class on 3D embroidery for beginners.

Description of flower embroidery

Let's try to do something simple, using a detailed description of each stage of the lesson. For example, voluminous embroidery of pansies. It can be printed on clothing or used as a decoration for some souvenir.

We will need:

• Wool yarn in yellow, purple, blue, 2 shades of green.
• Floss threads are white, yellow, green.
• Silk ones are light green. The combination of different types of threads in embroidering details makes it possible to emphasize the relief of the design. The shade options can be changed at your discretion.
• Fabric for the base and thicker material for volumetric elements.
• Wire.
• Hoop.
• Sewing supplies.

After preparing everything you need, let's start handicrafts.

Work progress

1. First of all, let's prepare the petals. Each of them is performed separately. Transfer the template to the fabric

And embroider the outline with a buttonhole stitch.

The inside of the part is filled with shadow satin stitch as follows. The first row of stitches is one color, the second - another. The petal should be finished with a radial divergence of stitches from its base using black floss threads. Their size is equal to 3 quarters of the length of the petal. Then the element must be carefully cut out. Use the same method to make 5 petals for one flower. They can be made in any quantity, depending on the design of the work.

2. Attaching the petals to the fabric using a needle stitch.

The petals are sewn on 2 at a time, first the back ones, then the front ones opposite them. The last one (5th) is applied to the last sewn parts with the front surface, secured in the central part and turned away. The center of the petal connection is indicated by knotted sutures.

3. Making a bud. It is made from sepals. The templates are transferred to the fabric. The outlines of the elements are made using loop stitches with green threads; the inside of the sepals is filled with satin stitch. A loop stitch is also applied to the upper edge of the part on the reverse side, coinciding in direction with the satin stitches. The sepals are cut as close to the edge as possible. Now we need to collect the parts. This is done using wire, which is secured on the wrong side. The petal is then rolled up and secured with green wool. The other end of the wire is wrapped around the sepals at the bottom. Thus, a wire stem is obtained.

4. The leaves are transferred to the fabric, the outline is embroidered with a buttonhole stitch using light green threads, inside with satin stitch. A stem stitch is used for the main vein, and a satin stitch is used for the side veins, which are embroidered with silk thread. At the end, all the parts are cut out.

5. Composition on the main fabric. The leaves can be placed on one or both sides of the flowers. Some leaves are covered with flowers, and several flowers can be covered with leaves. This will add naturalness to the plot.

Volumetric embroidery, the master class of which is described above, is one of the many options for simple work for beginners. Here are some examples.

Video tutorials for beginners

Volumetric embroidery with diagrams and photos

Three-dimensional embroidery originated in the Middle Ages, and not in one country, but in many. In England they used satin stitch embroidery with overlaid elements, in Italy convex printed patterns were popular, in Brazil they used the technique of lace weaving to embroider three-dimensional flowers, and France is still famous for its knotted embroidery technique. Today, craftswomen combine all these techniques in one embroidery and create relief, almost sculptural images using threads, ribbons, beads and sequins.

Features of this embroidery technique

To create relief embroidery you will need There are quite a lot of different materials for needlework:

1. Embroidery threads:

2. Additional elements for embroidery:

3. Fabric, clothing, furniture and decor items– this is something on which you can perform volumetric embroidery.

4. Sketch or embroidery pattern.

5. Embroidery needles, scissors, ruler, marker, hoop or -embroidery machine-.

For such embroidery today many different techniques are used, which allow you to realize any creative ideas:

Satin stitch embroidery for beginners. Schemes, drawings: flowers, roses, letters, birds. Volumetric embroidery, technique

Satin stitch embroidery seems complicated and overwhelming for beginning craftswomen. However, a little practice is enough to master this type of needlework.

Types of surface

Satin stitch is an ancient type of embroidery. Almost every country and region had its own distinctive features in embroidery.

The most common types of smooth surface include:

1. Simple smooth surface.
2. White satin stitch, can be embroidered with or without covering.
3. Artistic embroidery with colored threads.
4. Russian smooth surface.
5. Chinese satin stitch with silk threads.

Satin stitch embroidery for beginners should consist of small details that are difficult to make mistakes when embroidering. Simple embroidery is just such a type of needlework. Basically, these are floral motifs that are obtained from individual parts - petals, the middle of the flower, leaves, stem. These parts usually have a smooth and clear shape.

The embroidery technology is that it is double-sided.

This means that when embroidering a sheet on fabric, you should get the same sheet on the reverse side. To do this, before making a stitch, the needle should be inserted into the outline of the pattern and the tip pulled out from the opposite side of the pattern. And only after this you need to make a stitch by pulling the thread.

White with decking

White satin stitch is embroidered with white threads on white fabric. Initially, it was created to decorate underwear and pastel linen, as it looks very delicate and neat. To make the work seem airy, almost transparent, you should use thin fabrics for the base - cambric, crepe de Chine.

You can embroider with floss or silk threads, depending on the desired result.

Embroidery comes with or without covering. Flooring is needed to give volume to the work; visually highlight individual details and make others less noticeable. Flooring in modern embroidery can be done in several ways. It depends on how much volume should be given to the design details.

The contours of the pattern are stitched using a “forward needle” stitch, “back needle stitch” or a chain stitch. The space inside the outline is sewn with straight stitches.

This can also be done with a chain stitch, and if necessary, increase the volume - lay the chain stitch in several layers. In this case, each subsequent layer is sewn perpendicular to the previous one. Important: The stitches of the flooring, or the stitches of the top layer (when the flooring is multi-layered) should always be perpendicular to the stitches with which the design detail will be embroidered.

You should also ensure that adjacent satin stitches fit evenly against each other, without overlapping and without gaps between each other. The white surface with flooring is mainly represented by floral and plant patterns. Modern embroidery allows you to experiment with both the designs and the stitches used in the embroidery.

Artistic color embroidery

The second name for this type of surface is tonal. This embroidery allows you to convey shadows and light through transitions from dark to light shades of color and back. The possibilities of this surface are endless. It perfectly conveys veining and color transitions when embroidering plant subjects.

When embroidering animals and birds, the stitches practically repeat the hairs and feathers. Satin stitch can also be used to embroider people.

Stitch embroidery for beginners should have a simple motif. For training, you can take a flower or even one petal. Choose 3-4 shades of the same color. On the fabric, indicate the approximate boundaries of each tone transition.

Chinese smooth surface

Chinese satin stitch is similar in execution to artistic stitching. The difference is that it is more contrasting. This means that the transitions between colors on each part are very pronounced. You can accurately determine where one color boundary is and where the other is. Such contrast is achieved by embroidering each detail using a greater number of colors than with artistic embroidery.

The video shows paintings embroidered with silk on silk:

Chinese satin stitch is always made with silk threads, and silk or satin is used as the basis. According to design, it can be with or without flooring. Basically, the designs depict typically oriental motifs - flora and fauna.

Russian smooth surface

Russian satin stitch is classically done using a needle-forward stitch. At the same time, the seam is long on the face and short on the back. The space is sewn horizontally or vertically with the weft of the fabric. The main thing that needs to be achieved when embroidering is that there are no gaps in the fabric in the embroidered area.

This can be avoided if the seams are staggered.

Satin embroidery for beginners: an example of the Russian satin stitch technique

There are many branches from this ancient embroidery that appeared in different parts of Russia. For example, in the photo above there is embroidery, where there is no reference to a strictly vertical or horizontal arrangement of stitches, but otherwise the technology is followed.

Types of seams: single, double

The stitches used in embroidery are different. For double-sided embroidery, when a perfect back is needed, double stitches are used. In other cases - single.

The most common seams include:

The stitch on the front side should not be more than 5 mm. And the gap between adjacent stitches is no more than 3 mm.

It must be done according to the following diagram:

• At point A, the needle comes out and a stitch is made to point B.
• The next stitch begins in the middle of the previous one at point C and ends at point D.
• The stitches must be the same length. It is allowed to reduce the length only in places where the contour turns or rounds.

Tools and materials for satin embroidery

For embroidery you will need:

How to choose fabric?

Most commercially available fabrics, even the thickest ones, are suitable for satin stitch embroidery. Which fabric to choose will depend on the design and its future use.

Nevertheless, in order for the work to be a joy and the result not to disappoint, you should adhere to the following rules:

1. The fabric must be chosen so that the weave of the threads is visible. Otherwise, it will be impossible to count them and you will have to embroider “by eye.”
2. The fabric should not deform, fade, or fade. It is necessary to eliminate all possible misunderstandings with the finished embroidery in the future. The flap should be washed and ironed to ensure its suitability for use.

Embroidery needles, which are presented in stores, in addition to thickness and size, differ in tip. They come with a blunt and sharp end. Needles with blunt ends are designed for cross stitch. For ironing you need to take needles with a sharp end. When choosing a needle size, you need to understand what threads and on what basis the embroidery will be sewn.

The eyelet should be wide enough for the thread to pass through. And the thickness of the needle is small enough not to leave holes in the fabric.

Basic rules for choosing a needle:

• No. 1-3 are suitable for transparent and thin fabrics.
• No. 4-8 – for cotton.
• No. 9-12 – for any thick fabrics.

The thickness of the thread depends on the fabric chosen for embroidery. Thin bases should be embroidered with silk or floss. On thick ones, respectively, with thicker threads.

Floss threads are universal in many respects:

• Wide choice of colors.
• There are several thin threads in one strand. Accordingly, you can adjust the thickness using 1-2-3 threads from a strand.

When preparing to embroider a design, especially if it is large, it is recommended to stock up on all the necessary amount of thread. Since some manufacturers (usually Russian), the colors of the same number may differ in shade in different batches.

To begin the embroidery process, you need to transfer the design of the future embroidery onto the fabric. The easiest and most affordable way is to use carbon paper. You can buy it at any stationery store, at least black paper.

There are also multi-colored sets of carbon copies on sale. They are suitable if you use a multi-colored base for embroidery.

Despite all the convenience of carbon paper, it has some disadvantages:

• It is difficult to draw small details.
• It stains the fabric.

Where to start?

The beginning of work consists of preparing the material and tools, as well as mastering how to secure the thread to the fabric.

Necessary:

• Choose a design. You can find many designs on the Internet. Or you can take a picture you like in a magazine or book and transfer it to fabric.
• Choose a base fabric, or an item of furniture or clothing.
• Choose a needle and thread, depending on the thickness of the base.
• To ensure that the fabric does not warp during operation, it is stretched onto a hoop or a special embroidery frame is used.
• Prepare small rounded scissors.

The workplace should be comfortable. It is better to place a pillow or bolster under your back. Good lighting should also be provided.

You can often distinguish an experienced embroiderer from a beginner by the perfect reverse side, which has no knots. It is better for a beginning embroiderer to immediately accustom herself to sewing without knots. So that it becomes a habit.

Figure 1 shows an example of getting started. A stitch should be made on the wrong side, leaving a small tail of thread outside, then a second stitch is sewn perpendicularly. In the process of tightening the second stitch, the tail of the thread is laid so that it is tightly pulled in by the thread.

Figure 2 shows how to secure the thread when embroidering with 2 threads. Fold the thread in half and insert it into the needle so that a loop is formed. Having made a small stitch from the wrong side of the fabric, the needle is threaded through the loop and then tightened.

Figure 3 shows how to secure the remaining thread after embroidery. There are 2 options here. If the embroidery of the part still needs to continue, then the remainder of the thread is secured with several seams in the place that will then be sewn up with embroidery.

The second option is when the embroidery area is finished. Then the thread needs to be threaded from the inside out under the finished embroidery.

Technique for transferring patterns to fabric

Besides using carbon paper, there are other ways to transfer a design onto fabric. During the daytime, you can use the window. The paper with the design should be glued to the glass with tape. Attach the fabric to the top of the paper and carefully trace the contours of the design.

Or a more convenient method, but it will require an engineering approach from the embroiderer:

1. You should take two chairs or stools.
2. They need to be placed in such a way that the first stool stands on the floor, and the second lies on it with the seat and legs up.
3. Thick glass should be placed on these legs, and a table lamp should be placed under it. The design is ready!

To transfer the design, place the sheet with the design on the glass, cover it with a cloth on top and turn on the lamp under the glass. If the design is simple, then you can put the patterned paper on the fabric and baste, and the seam should follow the contour of the pattern. Next, all that remains is to remove the paper and trace the seams with a pencil. After this, the threads are removed from the fabric.

Master class: leaf embroidery

Satin stitch embroidery for beginners usually includes elements such as leaf and flower embroidery, as they are most often found in artistic embroidery motifs. In order to make a leaf you will need green threads of 4 shades (from dark to light).

In the DMC floss palette it is No. 469, 471, 472, 613.

1. It is necessary to transfer the drawing to the base. Draw veins inside the leaf. Firstly, they will indicate the direction of the stitches, and secondly, in the places of the veins it will be necessary to correctly place shadow and light accents.
2. The design consists of two parts: the main sheet and its folded part. Work begins with embroidering the main sheet. The outline is made with a “forward needle” stitch. Next, you need to use the lightest floss (613) to fill the light part of the sheet. The stitches should be of different lengths so that the transition to the next color is smoother.
3. Continue filling out the sheet with numbers 471 and 472.
4. Next, stitches are added from the darkest color floss (469). When making seams, you need to remember the direction of the leaf veins.
5. It is necessary to sew up the entire space of the main sheet. At the same time, the middle of the sheet should be clearly visible in the finished work; for this, there is no need to make a color transition in the middle. All stitches start and end along the same line. If everything is done correctly, then the lines of the veins will be smooth, barely perceptible, thereby giving naturalness to the image of the leaf.
6. The folded part of the sheet should be embroidered using a simple satin stitch with covering. To do this, you need to make an outline using a chain stitch and fill the space between the outline with simple stitches. It is important to remember that the flooring stitches must be perpendicular to the main stitches. After the flooring is done, part of the sheet should be sewn up with a regular seam.

The work is completed by embroidering the leaf stem using a back stitch.

Rose bud diagram

To make a rose, you need to have at least a little mastery of the art of artistic satin stitch. Otherwise, there is nothing complicated if you correctly follow the order of embroidering the parts of the flower. The numbers on the diagram indicate the order in which the work is performed. The lines and arrows on the petals should be transferred to the fabric along with the outline of the rose.

The arrows indicate the direction of the stitches, and the lines are the boundaries of the transition of shades.

Volumetric embroidery: wild flowers

Sometimes 2D (flat) embroidery is not enough to convey the desired effects. Then 3D embroidery – volumetric – comes to the rescue. In order to make truly exclusive things, a craftswoman must master many types of needlework. For simple subjects of volumetric satin stitch embroidery - wild flowers, insects - it is enough to have basic skills and know the basic stitches.

It may seem that the flowers in the photo are very difficult to complete. This is wrong.

To work, you need to select threads, prepare thin wire and a needle with scissors:

1. You should make a base from the wire that repeats the flower petal and sew it to the fabric using threads of the main color of the embroidery of this part.
2. Next, the space inside the wire form is embroidered using satin stitch.
3. It is necessary to hide the wire. To do this, it is sheathed with a loop seam. The petal is ready. All that remains is to cut it along the contour.

A flower is assembled from embroidered petals.

Letters on clothes

There are no clear rules for embroidering monograms. The type of monogram and the stitches with which it is made depends on the creativity of the needlewoman. Letters can be simple and created purely for practical purposes, to indicate their owner. For example, letters created with a chain stitch.

Or, for example, embroidery with a simple stitch using thick threads.

The theme of birds is one of the favorites among satin stitch embroiderers. Firstly, there are many types of birds, so you won’t get bored embroidering a lot of them. And secondly, the surface perfectly conveys the beauty of the birds, emphasizing the plumage with the direction of the stitches. Moreover, for birds, any type of surface is suitable.

Satin embroidery is not a simple type of needlework. Mastering it will require perseverance, experiments with colors, fabric bases and a lot of time. You should start getting acquainted with satin stitch with simple techniques and designs. Otherwise, there is a risk of quickly losing interest in embroidery after unsuccessful attempts.

Simple designs in one color or with minimal colors can also be very beautiful.

Satin embroidery can be a significant discovery in another type of needlework for all experienced and novice craftswomen!

Article format: E. Chaikina

Useful video about satin stitch embroidery

Video of a master class on embroidering a picture:

Volumetric embroidery in different styles

Volumetric embroidery

The name – volumetric embroidery – speaks for itself. Using various applied materials and knowledge of technical techniques, creative embroidery needlewomen were able to achieve amazing volume in their creations - a picture created using this technique looks alive. To achieve an unusual effect, the invented plot is divided into small parts, sewn separately. Next, the fragments are attached to the base with the finished background. This embroidery looks exclusive and can decorate a box, handbag, clothes, or a painting.

Eccentric embroidery is distinguished by the fact that in the process of work, both machine and hand stitches are used, various methods are combined, threads and ribbons of various thicknesses and qualities are selected, and beads are used. Volumetric embroidery is a flight of unlimited imagination.

Modern craftswomen widely use various technologies of such embroidery.

Types of volumetric embroidery

Depending on the technique of execution, volumetric embroidery can be divided into the following types:

• classical
• using silk ribbons
• Italian Trapunto technology
• in Brazilian style
• mixing a variety of embroidery techniques
• cross

Classic style

The classic style is characterized by double-sided satin stitch and can also be called removable appliqué.

Step-by-step instructions

You can see how volumetric satin stitch embroidery is created for beginner craftswomen. Step-by-step instructions are provided.

Iron the fabric well.

We add auxiliary fabric and cover the first row with satin stitch. The internal space of the part must be filled with satin stitch.

Sew up the second tier.

We finish sewing the bottom part and insert a thin wire along the edge - this will make it possible to give the petals any shape.

We sew the wire with a compacted loop stitch.

We cut out the finished part with sharp scissors very close to the sewn edge.

We attach all the made parts to the base, completing the creative compositional work. The background of the picture can be monotonous or embroidered.

Volumetric embroidery with satin ribbons

Embroidery in volume with satin ribbons is distinguished by the use of certain stitches and joining techniques, which make it possible to obtain the necessary details of the creative composition of the picture.

When embroidering with ribbons, needlewomen use a needle with a semicircular tip and a wide hole, satin and silk ribbons, dense fabric or linen, in order to avoid deformation of the fabric due to the weight of the materials used. The tape is inserted into a needle and sewn with special stitches designed for this type of work.

In this type of needlework, a variety of seams are used:

• half-loop
• french knot
• nodule
• twisted loop
• double overlap
• twisted stitch
• curved stitch
• bud half open
• capture
• cross
• bud closed
• air loop
• stalk seam and others

In the process of work, you may need a thin needle with a thread of a suitable shade and multi-colored ribbons of various widths. The panels made with partially hand-dyed silk ribbons look rich and chic.

Beginners can master the hand stitches used when working with ribbons in 3D embroidery by studying the detailed instructions.

An integral part of the “closed bud” composition.

1. We make a straight seam. Stepping back a little, we bring the needle and ribbon to the front side.
2. We pass the tape under the seam from left to right, folding it diagonally.
3. We pass the needle under the resulting loop from right to left.
4. We tighten the ribbon, wrapping it tightly around it, making a straight seam. We stick the needle over the finished loop.
5. We stretch the needle and ribbon to the wrong side, tightening the resulting loop.
6. Make sure that the ribbon does not curl and lies flat.

Ribbon paintings look very beautiful and pristine, delighting and delighting the eyes of connoisseurs of handmade art.

Volumetric embroidery in Italian style

Volumetric embroidery using the “Trapunto” technique looks very extravagant, captivating with its wonderful, unique and exquisite ornaments created by hand. This type of needlework combines elements of embroidery and stitches. This technique is used when finishing two-layer patchwork products. Trapunta is made with a thin thread that matches the shade of the main fabric. Sewing is done using two layers of fabric, sometimes padded with batting to create volume in the quilted creation. Using a simple “forward needle” stitch, the outline of the pattern being created is embroidered in small increments.

This technique, which creates three-dimensional ornaments, is widely used to decorate bedspreads, napkins, pillowcases, and items of clothing.

Brazilian 3D embroidery

To create a three-dimensional picture in the Brazilian style, a variety of stitches are used to create diverse plant sketches.

This is a mixture of extraordinary styles:

Embroidering elements of this type of needlework is completely different from other styles. Let's look at the main steps in Brazilian 3D embroidery for beginning craftswomen:

• when sewing, we make knots at the beginning and at the end of the thread - we leave the tails outside the knots;
• you can use a hoop or frame, or work without them - during the process you need to control the knots on the wrong side of the product, in order to avoid unraveling the knots or stitching with a needle.
• we use the correct seamstress’s needle - to weave the parts, you need long, blunt and sharp needles with a small eye.

In the process of performing the work, needlewomen use different seams:

• stalked
• twisted
• network
• looped
• smooth surface
• french knot
• chain

All these stitches are simple, but when combined together they produce a stunning effect. By combining different methods of Brazilian embroidery, craftswomen manage to create charming compositions of flowers, ornaments, and plants.

Many modern embroiderers have chosen to work in a mixed style, using a large number of various techniques for volumetric embroidery.

Volumetric cross

Embroidery in volume is possible with a cross - this is a fun, unconventional needlework. The capricious method is not similar to other types of voluminous manual work, occupying a specific place among creations. Volume is conveyed as a result of the creation of three-dimensional crafts that look original. Handmade boxes decorated with a cross look exclusive and extraordinary.

The picture is created on canvas, taking into account allowances for joints on a plastic base. Each part is made separately, connected to each other with a “butt” seam. The entire process is done manually, and the technical capabilities allow you to create any relief products. The following materials are used for volumetric cross stitch:

The article was written based on materials from the sites: 1igolka.com, webdiana.ru, www.joxin.club, handsmake.ru, podelkiruchkami.ru.